Dance review: Donna Uchizono's Thin Air

Yesterday, since I wasn't going to a second showing of Appommatox, I was free to accept comps, from my old Youth Orchestra pal Rob Bailis, for a showing of Donna Uchizono's "Thin Air," which plays twice more at ODC Dance Theater (which Rob directs), tonight and Saturday.

"Thin Air" was the perfect antidote to my night at the opera, though at first I didn't recognize it as such. The piece started out with three dancers perched on ladders, bobbing their heads. They bobbed, then they kept bobbing, and when they were through with that they bobbed some more. I didn't think to check my watch but experientially it was about a quarter hour of bobbing. Then, very slowly, someone raised an arm. I thought Oh no. This.

Oh no quickly turned to oh my god. Somewhere early in the unfolding of her ideas (in my case, after the bobbing) Uchizono got our attention and she did not relinquish it until the house lights came up. She has a virtuoso sense of scale, zeroing in on riveting miniatures in one scene and zooming back out to big stark pictures in the next. Her use of video projection was actually poignant. I could try to describe some of her devices but choose not to, because there's so much pleasure in the surprise of watching them emerge.

That said, I'm going to go again Saturday and bring James. For the sheer concentration of interesting ideas, for the high success rate of its many experiments, you should go see this for yourself. So should the creators of Appommatox. Ticket information is here.