2008: Annus ambivalence
Among so many other embarrassments that go with the territory of being me, I discovered a new one at holiday parties this year - having had such a kick-ass year when everyone around me was losing their health, boyfriends, homes, jobs, retirements, shirts, etc. I had my share of year-end mortifications and am far deeper into penury than most people I know, but 2008 in sum was truly an annus mirabilis both creatively (OH MY GOD, Cal Performances, Southern Circuit, St. Bart's, Grace Cathedral, Jacaranda-LA, Stephen Pelton Dance Theater, Orchestra Hall-Minneapolis, the three Chicago screenings and Christopher Taylor's shattering performance of the Vingt Regards, Library of Congress and the Betts Stradivarius, the rest of the fall tour, an unexpected anthology publication), politically (Obama, the George Bush sewage plant) and personally (married, again!). I was so convinced I was going to blog about other highlights, specifically three ecstatic gatherings of the Radical Faeries (July above Cazadero, September in Tennessee, December at Cell Space), the annual Trannyshack Reno boozestravaganza, and a bizarrely fun 20th high-school reunion, that I never did it, and now I add embarrassment to procrastination in deciding not to - 2008 provided a literal embarrassment of riches. As George Dusheck used to say, if I had blood I'd be blushing.
Still, false modesty has it limits and I have to close out 2008 with two new pieces of great press and one piece of news I haven't blogged about. Alex Ross, a longtime friend of Apparition of the Eternal Church, made a lovely mention of the film in his Jan 5th Carter-Messiaen essay in The New Yorker. And Chicago Sun-Times critic Andrew Patner included the film in his year-ender on the best of the Chicago music scene with one of my favorite quotes in the film's whole press packet, calling it "Paul Festa’s knock-out Messiaen-on-acid documentary."
For the record, nobody in the film was on acid at the time of the interview and Messiaen never tried it. At least as far as I know.
The news is that in less than a week I depart for a three-month filmmaking residency in Paris at the Centre des Recollets, on the banks of the Canal St. Martin, right by the Gare de l'Est. James will join me for a couple of weeks when the residency is through -
so if you know anyone who wants to swap an apartment pretty much anywhere in Europe for a darling Mission/Noe flat just over the hill from Dolores Park March 24 to April 7, hook us up!Then I leave for Israel, or what's left of it, for two weeks with my sister and her six kids, one of whom was born since my last visit in June 2007. Then I return to Tennessee for the spring gathering of the Radical Faeries, and after two weeks there I stop overnight in Oberlin, OH, where my film will close out the conservatory's six-month Messiaen centenary celebration May 5th.
I have mixed feelings about the upcoming tour. Obviously I'm thrilled with every destination and opportunity and reunion, but four months is a serious slice of the year to spend away from loved ones, especially one just diagnosed with a terminal illness and another who has proved incapable of responding to video chat even when his snout is pressed up against the computer monitor. James is midway through a job search that will most likely result in our leaving San Francisco at some point in the summer - which means that my time remaining in my hometown can probably be counted in weeks or months at the most. I haven't decided whether the three months of creative seclusion (such as it will be in the heart of Paris) will result in my becoming a dedicated blogger or an even flakier one - for the answer to this question, check this space.
Here are some photos from the year, in no particular order, to fill in where blogging failed:
"Saint Paul" etched into the Washington National Cathedral with my birth year
Labels: Apparition, artist retreats, Election 2008, gay marriage, George, Messiaen, Oh My God, Paris, photos, politics, Presidential Memorial, press, southern circuit, Stephen Pelton, The New Yorker, violin
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